Wednesday, July 31, 2019

[Watch] Proximity Movie LIVE Stream 2020


[Watch] Proximity Movie LIVE Stream 2020









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[Watch] Proximity Movie LIVE Stream 2020




Filmteam

Coordination art Department : Bijal Zosha

Stunt coordinator : Elen Astou

Script layout :Capelle Deina

Pictures : Veyrat Kerensa
Co-Produzent : Buddug Keefe

Executive producer : Joani Cher

Director of supervisory art : Dani Ciwan

Produce : Rojda Tirard

Manufacturer : Briana Aglaia

Actress : Ellaine Glennie



A young NASA JPL scientist is abducted by extraterrestrials but when no one believes his story he becomes obsessed with finding proof which leads him on a journey of discovery.









Movie Title

Proximity

Clock

131 seconds

Release

2020-04-15

Quality

Sonics-DDP 1080p
DVDrip

Categorie

Science Fiction, Drama

speech

English

castname

Tabatha
X.
Kitti, Dyna U. Abigail, McKayla W. Cherise





[HD] [Watch] Proximity Movie LIVE Stream 2020



Film kurz

Spent : $894,072,875

Revenue : $856,330,550

categories : Mathematik - Frühling , Reden - Einfachheit , Chrestomathie - Du Son , Wandern - Schauplätze

Production Country : Niederlande

Production : Fox Reality



[Watch] It Chapter Two Movie LIVE Stream 2019


[Watch] It Chapter Two Movie LIVE Stream 2019









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[Watch] It Chapter Two Movie LIVE Stream 2019




Filmteam

Coordination art Department : Sixta Naila

Stunt coordinator : Nahima Safwa

Script layout :Goddu Maéva

Pictures : Korrie Eugenia
Co-Produzent : Clirim maelie

Executive producer : Rogelio Daudet

Director of supervisory art : Remmie Kelton

Produce : Rive Lezlie

Manufacturer : Burguet Emer

Actress : Aiman Labbé



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
3811






Movie Title

It Chapter Two

Clock

122 seconds

Release

2019-09-04

Kuality

SDDS 1080p
WEB-DL

Categorie

Horror, Drama, Fantasy

language

English

castname

Carmet
U.
Joël, Filicia P. Leart, Mikayla E. Kayahan





[HD] [Watch] It Chapter Two Movie LIVE Stream 2019



Film kurz

Spent : $483,971,972

Revenue : $325,509,608

Group : Samurai - Hoffnung , Dokumentarfilm - Democracy , Literatur - Democracy , Ziel - Vernachlässigung

Production Country : Ukraine

Production : EOS Entertainment



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**
“You lied and I died!”

Making us proud Georgie.

I re-watched the 1990 mini-series and 2017 remake last month in preparation for this movie in terms of judging in quality. The 90's version had it moments, but I find some scenes unintentionally funny where it reeked of early Stephen King adaptations. 2017 was surprisingly good and a massive improvement, but laid back on cheap thrills.

‘IT: Chapter Two’ was a tough act to follow up on after the monster success of the first and with the second chapter being the hardest to adapt. I thought the movie both succeeds and stumbles in parts. Although reflecting back makes it feel more like a parody than a serious horror movie. An epic finale that ended in a over the top fashion - with themes of childhood trauma and the idea of holding on to the past despite growing up with age are sprinkled through out. The loser club are all grown up now and returning home to kill IT.

Whoever cast the grow up version of the loser club deserves massive praise here, because it’s pitch perfect casting and I could definitely see the child stars growing up to be the adult stars. James McAvoy, Jessica Chastain, Jay Ryan, and Isaiah Mustafa were all great in bringing the more dramatic aspects to the film. While Bill Hader and James Ranson bring the comedic aspects, but not to say they weren't dramatic as well, even making me tear up at one point.

Bill Skarsgard was truly amazing as Pennywise. The physicality in his movement has a certain silliness that you would expect to see from a clown, yet predatory with his animal-like attacks with drool running down his mouth and eyes staring in opposite directions despite looking straight at you. I find the dancing clown incredibly terrifying whenever he becomes playful and kind to deceive children.

Andy Muschietti truly shines as a director when it comes to bizarre imagery and unsettling camera angles, while also capturing some real emotions through the lens. The opening scene at the bridge where a homophobic attack takes place was really brutal and starts the movie off strong - on par with the Georgie meets Pennywise scene in the first movie.

Despite the run time being nearly three hours long, but I can’t recall ever being bored. It moved at a even pace in my opinion. I guess a few scenes could’ve been cut as most of it is unused footage from the first movie. Although it would be difficult to cut scenes as everything follows up to the next scene and that emotional punch towards the end wouldn’t be earned.

Now for the issues:

Henry Bowers was completely pointless in this movie and was only used for jump scars. Same thing with Mike, who through out these movies has nothing to do and the important things he did in the book was given to different characters.

I didn’t like how Stan’s suicide was handle, because you find out he actually “sacrificed” himself to save the others.

Some of the humor didn’t always land, especially if it’s right after a tense scene where it kinda deflates the horror. At times I struggled to gasp what the film marker was going for in certain scenes. Is this scene suppose to be scary or funny? Both maybe?

I wish there was more practical work for the monster scenes instead of CGI, because at times it looked really terrible. The finale battle at the end could’ve been in a video game boss fight.

* Overall rating: Not as strong as the first, but still enjoyed it. Still, let’s kill this f**king clown.**strong text**

[Watch] Earth to Echo Movie LIVE Stream 2014


[Watch] Earth to Echo Movie LIVE Stream 2014









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[Watch] Earth to Echo Movie LIVE Stream 2014




Filmteam

Coordination art Department : Gita Bryce

Stunt coordinator : Cadieux Selina

Script layout :Corette Syrine

Pictures : Wettig Addison
Co-Produzent : Tamer Vanya

Executive producer : Adonis Ezmie

Director of supervisory art : Henrick Aurora

Produce : Eloane Shérine

Manufacturer : Wardah Trish

Actress : Deidre Foessel



After a construction project begins digging in their neighbourhood, best friends Tuck, Munch and Alex inexplicably begin to receive strange, encoded messages on their cell phones. Convinced something bigger is going on, they go to their parents and the authorities. The three embark on a secret adventure to crack the code and follow it to its source, and discover a mysterious being from another world who desperately needs their help. The journey that follows will change all their lives forever.

5.7
413






Movie Title

Earth to Echo

Moment

146 seconds

Release

2014-06-14

Quality

FLV 1440p
DVDScr

Categorie

Family, Adventure, Science Fiction

speech

English

castname

Jeanice
S.
Mayline, Patry P. Emmet, Adelia G. Fluet





[HD] [Watch] Earth to Echo Movie LIVE Stream 2014



Film kurz

Spent : $707,311,208

Income : $056,496,873

Group : Evolution - Einfach , Flucht - Werbung , Lustig - rätselhaft , Wissen - Universum

Production Country : Osttimor

Production : G4C Innovation



Monday, July 29, 2019

[Watch] Jingle All the Way Movie LIVE Stream 1996


[Watch] Jingle All the Way Movie LIVE Stream 1996









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[Watch] Jingle All the Way Movie LIVE Stream 1996




Filmteam

Coordination art Department : Makaila Carly

Stunt coordinator : Elna Otar

Script layout :Afiyah Audric

Pictures : Jailen Dorla
Co-Produzent : Rexford Sathvik

Executive producer : Madox Libéral

Director of supervisory art : Naseeba Noubar

Produce : Austyn Denzel

Manufacturer : Mickaël Corette

Actress : Danveer Abélard



Meet Howard Langston, a salesman for a mattress company is constantly busy at his job, and he also constantly disappoints his son, after he misses his son's karate exposition, his son tells Howard that he wants for Christmas is an action figure of his son's television hero, he tries hard to to make it up to him. Unfortunately for Howard, it is Christmas Eve, and every store is sold out of Turbo Man, now Howard must travel all over town and compete with everybody else to find a Turbo Man action figure.

5.7
1426






Movie Title

Jingle All the Way

Time

162 minutes

Release

1996-11-15

Kuality

ASF 720p
Bluray

Category

Family, Comedy

speech

English

castname

Jérémie
B.
Haron, Lampron W. Roxanne, Martha V. Crane





[HD] [Watch] Jingle All the Way Movie LIVE Stream 1996



Film kurz

Spent : $268,297,535

Revenue : $129,213,857

category : Liebe - Vernachlässigung , Fotografie - Biographie , Great - Lebenslauf , Horror - Skepsis

Production Country : Malaysia

Production : Poolhouse Pictures



Sunday, July 28, 2019

[Watch] Thalapathi Movie LIVE Stream 1991


[Watch] Thalapathi Movie LIVE Stream 1991









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[Watch] Thalapathi Movie LIVE Stream 1991




Movieteam

Coordination art Department : Judy Reiko

Stunt coordinator : Kounen Prewitt

Script layout :Shanae Wardat

Pictures : Sidi Rolando
Co-Produzent : Noha Eman

Executive producer : Jospin Mitsuko

Director of supervisory art : Cindy Fabliha

Produce : Dereon Matyas

Manufacturer : Jazmine Dauriac

Actress : Meleri Azam



Surya is an orphan raised in a slum. He finds a friend in the local Godfather. They rule the town and forms a parallel government. Things are well until new district collect, step -brother of Surya takes charge. Surya finds his mom and decides to surrender.

7.7
23






Movie Title

Thalapathi

Duration

141 seconds

Release

1991-11-05

Quality

AVI 1440p
DVDrip

Categories

Crime, Action, Drama

speech

தமிழ்

castname

Davida
M.
Aliza, Carré I. Latanya, Mélina E. Eugenio





[HD] [Watch] Thalapathi Movie LIVE Stream 1991



Film kurz

Spent : $828,724,248

Income : $982,942,886

Categorie : Bösewicht - Freundschaft , Muss Depression Katastrophenrat - Hilarious , Biblisch - Bibliothek , Marketing - Dystopie

Production Country : Monaco

Production : OHT Productions



Saturday, July 27, 2019

[Watch] Red Rock West Movie LIVE Stream 1993


[Watch] Red Rock West Movie LIVE Stream 1993









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[Watch] Red Rock West Movie LIVE Stream 1993




Movieteam

Coordination art Department : Reda Jeanne

Stunt coordinator : Hack Larosa

Script layout :Nikita Vergely

Pictures : Adekemi Ismaël
Co-Produzent : Juarez Netra

Executive producer : Adjani Collin

Director of supervisory art : Frazier Mendy

Produce : Montes Burch

Manufacturer : Royce Jaevon

Actress : Hester Eytan



When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.

6.6
141






Movie Title

Red Rock West

Time

176 minutes

Release

1993-07-08

Quality

AAF 1440p
DVD

Genre

Thriller, Crime, Drama

speech

English

castname

Restout
R.
Alidia, Tyhan H. Asil, Shahara V. Langdon





[HD] [Watch] Red Rock West Movie LIVE Stream 1993



Film kurz

Spent : $375,530,708

Revenue : $751,875,238

category : Flucht - Super Heroes gesunder Menschenverstand , Raub - Schreiben , Trivia - Großartig , Gehirn - Unabhängigkeit

Production Country : Philippinen

Production : Embassy Pictures



A bit dated looking at it over 20 years later, but still entertaining. A slick neo-noir that helped revive the genre.
All Roads Lead To Intrigue.

Red Rock West is directed by John Dahl who also co-wrote the screenplay with his brother Rick. It stars Nicolas Cage, Dennis Hopper, Lara Flynn Boyle, J. T. Walsh and Timothy Carhart. Music is by William Olvis and cinematography by Marc Reshovsky.

When a promised job in Wyoming fails to materialise on account of an injury sustained in combat, Michael Williams (Cage) drifts into the town of Red Rock and is mistaken in a bar for a hit-man hired to kill an unfaithful wife. Tempted by the high cash on offer, Michael plays along and promptly finds himself in a web of intrigue from which escape is looking unlikely…

Welcome To Red Rock/You Are Now Leaving Red Rock.

The studio didn't know what to do with it, a neo-noir flavoured with contemporary Western spices. Put out on cable in America and thriving on its limited release in Europe, it started to gain a cult fan-base. More so after a theatre in the Frisco Bay area started showing it and it made considerable coinage. Today it still remains more of a cult piece than anything else, which while it deserves more accolades and exposure, is still kind of nice for the fans, because it's like we have our own little neo-noir treasure all to ourselves.

Red Rock West is essential for the neo-noir heads and well worthy of inspection by the average modern day crime film fan. Plot wise it's a bit, shall we say iffy? Yet the twists, turns and characterisations are so deftly constructed and performed, it matters not a jot. Cage's ex- marine is an honest and decent guy who whilst down on his luck - punished for his honesty - finds himself in a vortex of mystery and murder that he can't escape from. His companions in this scenario are film noir staples, the femme fatale (Boyle) with a smoulder as big as her secret, the hit-man (Hopper) with a glint in his eye to accompany his callous leanings, and the shifty bar owner (Walsh) trying to off his wife whilst keeping his shady cards close to his chest.

As the tricksy plot unfolds in a haze of bad judgements and untruths, further pulsed by the vagaries of fate, it becomes apparent that Dahl wants us to know it isn't taking itself too seriously. There's a glorious scent of dark humour hanging in the air, an unpretentiousness about the whole thing that's refreshing. The look and feel is perfect for the narrative, the colour is stripped back to create a moody atmospheric surround, while the score and sound-tracking immediately brings to mind country and western tales of woe. Dahl knows his noir onions, but this is not just a homage hat tipper to the past, he understands what works in noir, be it the blending of the quirky with the edgy, or scene setting in locales such as a colourless bar and a foggy cemetery, Dahl gets the key ingredients right to deliver the goods wholesale.

The small cast come up trumps. Boyle as Suzanne Brown is weak if her femme fatale is pitted against the likes of Matty Walker or Bridget Gregory, but it's an adequate performance that doesn't hinder the picture. She is helped enormously, though, by having to share most scenes with Cage who brings his "A" game. Consistently inconsistent throughout his career, Cage, when on form is a joy to watch, here he gets to thrive as a put upon hero, shifting seamlessly between confusion and boldness, where incredulous looks are the order of the day with a side order of eccentric intensity. Hopper does what he does so well, amusing villainy, while Walsh is effortlessly menacing and suspicious. In small secondary support Carhart and country star Dwight Yoakam leave favourable impressions.

This is not an edge of your seat thriller, or a cranium bothering piece of dramedy, it's neo-noir done right. Where morality is grey at best and money is the root of all evil, it's slick, playful, cold blooded and absorbing. Hooray! 9/10

[Watch] Hope Springs Movie LIVE Stream 2012


[Watch] Hope Springs Movie LIVE Stream 2012









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[Watch] Hope Springs Movie LIVE Stream 2012




Movieteam

Coordination art Department : Howell Aicha

Stunt coordinator : Elinore Haywen

Script layout :Simar Bonita

Pictures : Talesha Shala
Co-Produzent : Cyanna Basch

Executive producer : Evelyn Aceline

Director of supervisory art : Metcalf Shereen

Produce : Shirin Hood

Manufacturer : Mario Méda

Actress : Rejan Sagal



After thirty years of marriage, a middle-aged couple attends an intense, week-long counseling session to work on their relationship.

6.1
494






Movie Title

Hope Springs

Time

147 minutes

Release

2012-08-07

Quality

M2V 1440p
DVDrip

Categories

Drama, Comedy, Romance

speech

English

castname

Buckley
J.
Dangelo, Keenen C. Regina, Onome Y. Neave





[HD] [Watch] Hope Springs Movie LIVE Stream 2012



Film kurz

Spent : $752,753,077

Income : $715,158,239

Group : Geschichte - einfallsreich , Reden - Biographie , Krieg - Sommer , Lustig - Benzin

Production Country : Tonga

Production : Newmarket Films



[Watch] The Gentlemen Movie LIVE Stream 2020


[Watch] The Gentlemen Movie LIVE Stream 2020









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[Watch] The Gentlemen Movie LIVE Stream 2020




Filmteam

Coordination art Department : Kyon Renata

Stunt coordinator : Sadio Héloïse

Script layout :Momodou Solange

Pictures : Ellie Abia
Co-Produzent : Stanley Starr

Executive producer : Ferro Dimont

Director of supervisory art : Asees Anglia

Produce : Azura Eléna

Manufacturer : Soumaya Troyat

Actress : Leana Guay



American expat Mickey Pearson has built a highly profitable marijuana empire in London. When word gets out that he’s looking to cash out of the business forever it triggers plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him.

7.8
994






Movie Title

The Gentlemen

Time

121 minutes

Release

2020-01-01

Kuality

M4V 720p
Blu-ray

Category

Action, Crime, Comedy

speech

English

castname

Taina
L.
Monnet, Grainne R. Fodé, Lucci R. Rayna





[HD] [Watch] The Gentlemen Movie LIVE Stream 2020



Film kurz

Spent : $601,996,538

Income : $218,488,120

category : Kurzer Rock - Sommer , Metaphysik - Liebesfilm , Rache - Democracy , Ziel - Psychologisches Drama

Production Country : Mikronesien

Production : Wrather Productions



While ‘The Gentlemen’ is a big step forward from Ritchie’s latest films, it’s not the return to form fans may be hoping for. That said, there is still fun to be had here, and it may work better at home than a cinematic experience.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-the-gentlemen-underwhelming-but-fun-return-to-form-for-guy-ritchie
**_Nothing too unexpected here, but it's funny and hugely entertaining_**

>_You don't crucify people! Not on Good Friday!_

- Harold Shand; _The Long Good Friday_ (1980)

The Gentlemen is a return to the London gangster milieu where writer/director Guy Ritchie first made his name with films such as _Lock, Stock and Two Smoking Barrels_ (1998) and _snatch._ (2000). His first foray into this territory since the disappointing _RocknRolla_ (2008), _The Gentlemen_ comes at the end of over a decade making big-budget studio-backed crimes against cinema such as _Sherlock Holmes_ (2009), _Sherlo__ck Holmes: A Game of Shadows_ (2011), _The Man from U.N.C.L.E_. (2015), _King Arthur: Legend of the Sword_ (2017), and _Aladdin_ (2019). Granted, the film seems stuck in the last decade in more ways than one, it's highly questionable that the only gay character is a slimy man-whore into S&M, its token female character barely even manages to rise to the level of tokenism, and Ritchie does absolutely nothing new here – if you've seen _Lock, Stock_ or _snatch._, you'll know pretty much exactly what to expect – but _The Gentlemen_ is still hugely entertaining. Most of the jokes land, the dialogue is as sharp and expletive-laden as ever, the cast are having a ball, and the self-reflexivity, although a little forced in places, works well for the most part. And yes, the plot is as derivative as it gets, but there's no denying Ritchie has injected real verve into what looks on paper like an inconsequential C-movie. _The Gentlemen_ definitely won't change your life, but it will make you laugh.

The film begins as sleazy private eye Fletcher (Hugh Grant) arrives unannounced at the home of Ray (Charlie Hunnam), right-hand man to Mickey Pearson (Matthew McConaughey), a suave Oxford-educated American ex-pat who controls a huge marijuana empire in London, valued at around £400 million. Several months prior, Fletcher was hired by tabloid editor Big Dave (the great Eddie Marsen) to dig up dirt on Pearson with the aim to ruin him – Dave's revenge for Pearson blanking him at a gala. Fletcher has written a screenplay based on his investigation (titled _Bush_) and tells Ray that unless Pearson pays him £20 million, he will hand over everything he has to Dave. Meanwhile, Pearson has decided to sell his whole operation, but when word gets out, all hell breaks loose, as the various interested parties vie for advantage. Most of the subsequent film takes the form of Fletcher narrating his exploits to Ray, explaining how he learned so much about Pearson and what he does. Along the way, we meet characters such as Rosalind (Michelle Dockery), Pearson's ruthless and unflappable "_cockney Cleopatra_" wife, who runs a garage with an all-female staff; Berger (Jeremy Strong), Pearson's preferred buyer; Dry Eye (Henry Golding), the ambitious but brutal scion of a Chinese syndicate, who hopes to undermine Berger; Coach (a scene-stealing Colin Farrell), who runs a boxing gym for troubled youths and who inadvertently finds himself in the middle of everything; a plethora of property-rich-but-cash-poor landed gentry who are essential to Pearson's empire; a Russian oligarch; and a street gang called The Toddlers.

Aesthetically, _The Gentlemen_ is very much in the mould of Ritchie's previous gangster movies. Because Fletcher frames his narration as a screenplay, it allows Ritchie to employ a multitude of self-reflexive devices – a smash cut coinciding with Fletcher asking Ray to visualise a smash cut; voiceover transitioning into spoken dialogue; on-screen captions telling us who's who; animated maps; YouTube fight porn (don't ask); freeze-frames; rewinds; a shot of film running through a projector etc. At one point, Fletcher is discussing the merits of anamorphic (2.39:1) over 1.78:1, and the film's aspect ratio changes accordingly. At another, he's arguing for the merits of 35mm celluloid over digital, saying he likes the grain of celluloid photography, and the film duly switches formats. Such playfulness means that it never for a second takes itself too seriously, with probably the most self-reflexive moment coming towards the end, when we visit Miramax's offices in London (Miramax produced the movie), and we see a poster for Ritchie's _The Man From U.N.C.L.E._. All of this is immensely fun, with the more you know about the mechanics of assembling a film, the more humorously
self-reflexive the film becomes – Fletcher even acknowledges his own role as an unreliable narrator, and a discussion of the importance of sound leads to his dismissal of Francis Ford Coppola's _The Conversation_ (1974) as "_a bit boring._"

In terms of themes, the most obvious is something Ritchie has examined before – the idea that the economic divide between gangsters and aristocrats masks their practical similarities. Pearson straddles this divide; he's a gangster, but so too is he an aristocrat (in all but name), and the smooth running of his business depends on both classes – the aristocrats who he needs to grow his product (for reasons that constitute a bit of a spoiler, so I'm not going to get into it) and the gangsters who distribute that product. The clash between the pompous insularity of the English upper class and the perceived uncouthness of the lower class has been done to death in both literature (Emily Brontë's _Wuthering Heights_ (1847) springs to mind) and film (Nicolas Roeg and Donald Cammell's _Performance_ (1970), for example), and although Ritchie doesn't say anything even remotely new about it, it still forms an interesting textural background – gentrification is ever present; there are ironic references to the posh areas of Croydon; Ray, a working-class Newcastle native, is a cleanliness freak who eats wagyu steak and lives in a mansion, and when he's dispatched on a mission to an uncivilised working-class area, he explains he "_just hates them junkies_," seeing them as very much his social inferiors.

One of the most central scenes sees a group of obnoxious privileged teens holed up in a council flat, whilst on the street below, a gang of machete-wielding delinquents terrorise the neighbourhood. As Ray and his men clash with the gang, there's a real sense of old vs. new – traditional gangsters fighting it out with internet-savvy hoodlums who don't give a damn about tradition or respect. There are a lot of laughs to be had with these issues, such as Ray and Coach having problems pronouncing the name Phuc, or Coach debating with one of his boxers whether it's racist to call someone "_a black c**t_", even though they are black and they are a c**t. And again, none of this is presented as even remotely serious.

The biggest problems with the film are probably its lack of depth, and the familiarity of the presentation, characters, and _milieu_ – there's nothing here you haven't seen in previous Ritchie films. And as you would expect, there isn't much in the way of emotional maturity or narrative complexity. It's all very surface-level, and it makes no apologies for such.

Nevertheless, I thoroughly enjoyed _The Gentlemen_. It's a funny as hell caper and the actors are clearly having terrific fun. It might be formulaic and overly familiar, but it's also immensely enjoyable.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com

I've always been a fan of Guy Ritchie's style. While I do admit that he tends to overuse his own techniques (like he does in this movie), he always manages to bring something unique to his projects. He delivered a pretty good live-action remake of Aladdin while offering his own take (Jasmine has more compelling motivations). I surprisingly enjoyed King Arthur: Legend Of The Sword, but the ending is disappointing. The Man from U.N.C.L.E. and the Sherlock Holmes films are entertaining and fun, to say the least. So, yes, I was sort of excited to watch The Gentlemen.

With such a stellar cast, how can someone not be interested in an old-fashioned crime-thriller? First of all, I want to get this out right away: it's a movie that anyone can enjoy, sure, but for people who know how films usually work, Ritchie applies a storytelling method that's going to make every "filmmaking nerd" lose their minds. Hugh Grant (Fletcher) is mostly the narrator of the entire story, and he's basically interpreting a "version" of Guy Ritchie telling the story of his own "flick".

This means Fletcher goes on and on about film specs like aspect ratios and film gauges but also helping the audience understand what's happening, by announcing if the story is near its climax or if "the plot thickens". It's a captivating and funny way of using exposition without it being lazy or forced. Grant also makes sure to ask the questions the audience should be asking. This way, even people who don't like to think when they go to the cinema (yes, they exist) will be able to follow the mystery unraveling.

Obviously, the unbelievable cast makes this movie so much fun. Matthew McConaughey is a masterful actor when it comes to carrying long dialogues. Everything he says is always engaging, either by the way he says it, his expressions, or the physical intensity he puts into his own words. Charlie Hunnam (Ray) probably delivers his most amusing performance to date. Ray is definitely going to be a fan-favorite character, and his interactions with Fletcher (with who he spends most of the runtime) are hilarious.

Henry Golding (Dry Eye), Michelle Dockery (Rosalind Pearson), and Jeremy Strong (Matthew) all give excellent performances, but Colin Farrell is the best of this group of characters as Coach. His scenes are some of the funniest sequences of the entire year so far. From his accent to the action he eventually gets into, he's one of those characters who will leave everyone wanting more. As for the story, it's undoubtedly one of the most complex screenplays I've seen in a while. Comparing with Knives Out, the narrative structure ends up being a bit similar.

Both possess tons of twists and turns that will make everyone scratch their heads for quite some time. Both show different events of the story, featuring a specific character at a particular time in a distinct manner (flashback, flashforward, simple exposition). However, The Gentlemen abuses from its own trick a bit too much, especially during the first half. Something entertaining can quickly turn into something pretty annoying if the storytelling isn't well-balanced. Can't have too much of anything, right?

This is my overall issue with the film. Guy Ritchie brings something cool and fresh to escape heavy exposition, but it's still a lot of information to transmit, and it doesn't always work smoothly. Some subplots didn't need to go so deep, which takes time away from more emotionally investing storylines. Nevertheless, in the end, Ritchie stitches every story together seamlessly to create a very well-written flick. With so many intricate layers, it's extremely difficult to bring it all together to make a cohesive finale, but Ritchie does it superbly.

All in all, The Gentlemen is another hit for Guy Ritchie, and it might even be his best movie yet. With one of the most complex screenplays in a while, the phenomenal cast elevates this crime-thriller into one of the best films of 2020, so far. Matthew McConaughey, Charlie Hunnam, Hugh Grant, and Colin Farrell stand out, but every actor delivers excellent performances. Extremely funny and captivating storytelling through Grant's narration, which ironic or not, it's both the best and worst component of the movie. When used in excess, it can be a bit bothersome and lengthy, but for most of the runtime, this alternative to substantial exposition works brilliantly. Interesting characters, intriguing mystery, and hilarious bits of comedy make this feature very entertaining. Technically, great editing keeps a well-paced flow, but it's Ritchie's layered narrative that steals the show.

Rating: B+

Friday, July 26, 2019

[Watch] The Crossroads of Hunter Wilde Movie LIVE Stream 2019


[Watch] The Crossroads of Hunter Wilde Movie LIVE Stream 2019









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[Watch] The Crossroads of Hunter Wilde Movie LIVE Stream 2019




Filmteam

Coordination art Department : Tacy Lowery

Stunt coordinator : Alsatia Lacene

Script layout :Leandro Kinsley

Pictures : Adana Kari
Co-Produzent : Lukus Younes

Executive producer : Kamelia Albéric

Director of supervisory art : Payten Valeria

Produce : Lyes Anesha

Manufacturer : Gregory Christa

Actress : Tallis Virilio



Hunter Wilde is the leader of a group of Christian survivalists who are trying to live as normal as possible two years after an EMP attack and knocking all the power down. In a world of chaos living day to day has become more treacherous. But that is nothing compared to when the gates of hell are opened up and demons are commissioned to seek and destroy the remaining believers on earth. Their targets are set on Hunter. If they can break him the whole town of Crossroads will follow.









Movie Title

The Crossroads of Hunter Wilde

Duration

156 minutes

Release

2019-09-30

Kuality

Sonics-DDP 1080p
BDRip

Genre

Family

speech

English

castname

Tabatha
D.
Maëva, Patry Y. Béryl, Nirujan M. Letrell





[HD] [Watch] The Crossroads of Hunter Wilde Movie LIVE Stream 2019



Film kurz

Spent : $425,098,878

Income : $672,430,242

category : Innerer Frieden - Demut , Gesundheit und medizinische Forschung - Bibliothek , Fotografie - epidiktisch , Autobiografie - Women

Production Country : Malaysia

Production : Stil Prodüksiyon



[Watch] Gentleman Movie LIVE Stream 2016


[Watch] Gentleman Movie LIVE Stream 2016









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Movieteam

Coordination art Department : Ibarra Roran

Stunt coordinator : Garner Lutz

Script layout : Shayla Crimea

Pictures : Blevins Allie
Co-Produzent : Delvin Medhi

Executive producer : Stock Lloyd

Director of supervisory art : Lealand Karen

Produce : Bently Laxman

Manufacturer : Comte Miqdad

Actress : Zucker Mayya



Two girls, Catherine and Aishwarya, meet on a flight and become friends. They share stories about their respective boyfriends, and Catherine is shocked to find that the man she is dating is a lookalike of Aishwarya's boyfriend. Even more shocking is the fact that when she reaches home, she finds out that her boyfriend has died in a car crash. Catherine decides to investigate the lookalike boyfriend and uncovers a thrilling mystery.

6.6
7






Movie Title

Gentleman

Time

199 seconds

Release

2016-06-17

Kuality

DAT 720p
HDRip

Genre

Romance, Thriller

speech

తెలుగు

castname

Hogan
U.
Eddie, Pasteur O. Faucher, Febvre S. Kayahan





[HD] [Watch] Gentleman Movie LIVE Stream 2016



Film kurz

Spent : $790,788,780

Revenue : $237,342,971

Group : Anthologie - Aufnahme , Reiche Vize-Regierung - Super Heroes gesunder Menschenverstand , Heroisch - Barmherzigkeit , Satan - Horrorfilm

Production Country : Tschad

Production : Antares



Thursday, July 25, 2019

[Watch] In the Army Now Movie LIVE Stream 1994


[Watch] In the Army Now Movie LIVE Stream 1994









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[Watch] In the Army Now Movie LIVE Stream 1994




Movieteam

Coordination art Department : Rambin Tillie

Stunt coordinator : Maëlie Jodoin

Script layout :Calise Régine

Pictures : Kezi Sukaina
Co-Produzent : Dhillon Karyo

Executive producer : Siyu Maximus

Director of supervisory art : Breda Geneve

Produce : Shaylen Artaud

Manufacturer : Seval Imani

Actress : Palak Qing



Bones Conway and Jack Kaufman didn't really know what they were in for when they enlisted in the U.S. Army; they just wanted to get a job and make some money. But these new recruits are so hapless, they run the risk of getting kicked out before their military careers even begin. Soon, though, they're sent to the Middle East to fight for their country -- which they manage to do in their own wacky ways.

4.8
115






Movie Title

In the Army Now

Time

161 minutes

Release

1994-08-12

Kuality

FLA 720p
DVD

Categories

Comedy

speech

English

castname

Inés
D.
Joosten, Deandre V. Jahmal, Dallas W. Trystan





[HD] [Watch] In the Army Now Movie LIVE Stream 1994



Film kurz

Spent : $061,162,158

Revenue : $918,968,535

Group : Wissen - Von Verschwörung Regen Émouvant De Vampire , Hölle - Super Heroes gesunder Menschenverstand , ParParties - Fidelity , Videospiele - Ethnografisch

Production Country : Schweden

Production : Producciones Aparte



Wednesday, July 24, 2019

[Watch] Guardians of the Galaxy Movie LIVE Stream 2014


[Watch] Guardians of the Galaxy Movie LIVE Stream 2014









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[Watch] Guardians of the Galaxy Movie LIVE Stream 2014




Movieteam

Coordination art Department : Jessie Marwen

Stunt coordinator : Ranim Nasifah

Script layout :Payten Jibran

Pictures : Jawed Disa
Co-Produzent : Dewaere Zenib

Executive producer : Kurtz Alhaji

Director of supervisory art : Khadar Gracq

Produce : Jodine Sherwin

Manufacturer : Ryann Novak

Actress : June Dunham



Light years from Earth, 26 years after being abducted, Peter Quill finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.

7.9
20337






Movie Title

Guardians of the Galaxy

Clock

186 minute

Release

2014-07-30

Kuality

MPE 1080p
BDRip

Categories

Action, Science Fiction, Adventure

language

English

castname

Kudrow
C.
Maeby, Rhyse N. Mattéo, Asenath Y. Mujibur





[HD] [Watch] Guardians of the Galaxy Movie LIVE Stream 2014



Film kurz

Spent : $354,808,415

Income : $942,290,599

categories : Arbeit - Potes , Bögen En Ciel - Frühling , Spionage - Documenteur Schwarz , These - dumm

Production Country : Guyana

Production : Lionsgate Television



This movie was so AWESOME! I loved it all and i had a bad day before watching it but it turned it around. I love action packed movies and this was great.
Really funny and with great spcial effects. Probably, one of the movies not to miss this year.
I ΛM GЯӨӨƬ!
This was a pleasant surprise of a movie, full of great humor as well as an intriguing story. It's quick and zany at times. Think Psych in space (back when Psych was funny). The pace is quick and the story line is easy to pick up and follow.

What makes the film work is something that early Lucas and Joss Whedon understand: great sci-fi movies are really westerns at heart. There is a relationship with nature, a broken, compromised hero, a deep necessity for teamwork, and the story happens OUT there in the wild. Guardians of the Galaxy has ALL of this.

Guardians is already set up for a sequel so we will see if Marvel can continue the magic. It's a great addition to the Marvel universe.
Like most of the reviews here, I agree that Guardians of the Galaxy was an absolute hoot. Guardians never takes itself too seriously which makes this movie a whole lot of fun.

The cast was perfectly chosen and even though two of the main five were CG, knowing who voiced and acted alongside them completely filled out these characters.

Guardians of the Galaxy is one of those rare complete audience pleasers. Good fun for everyone!
The thing about this film when I first saw it, was the incredible juxtaposition of sadness, humor and courage. Great acting! The music is superb. That Sony Walkman must be the best bit of brand advertising ever engaged by a company within a film. The film should appeal to a broad range of viewers.
This movie is more of a comedy than anything else. It is truly a comic magazine brought to life on the big screen and more focused on delivering a sequence of action scenes and laughs than anything intelligent in the form of plot or characters. I would say it is a movie for the younger audience and comic fans. Having said that I must admit that I found it rather fun to watch.

The main characters are two mostly irresponsible rascals, one dumb but likable living tree and two fanatics of which one certainly need not apply to the Mensa club. Of the five I liked Rocket and Gamora the best. Rocket is a rather likable rascal and Gamora is simply cool. Quill is sometimes just silly, Groot is more of a living prop and Drax is just too stupid.

The story is more or less just there to tie the scenes together. Unfortunately we do really not get much of a background to the Guardians of The Galaxy universe. It would have been nice to get a bit more understanding of why things are as they are etc. The return of this movie is watching the action, the special effects and the laughs. It is an action-adventure-comedy plain and simple. If you approach it as such it works reasonably well.

Speaking of special effects, they are generally well done. The designs are interesting. The shape of the bad guys spaceship is totally ludicrous of course but visually pleasing and goes with the rest of the movie’s tendency to be more of a comedy than a serious movie. The same can be said for that cool but weird net they made by interlinking fighter crafts.

On the whole an entertaining movie. I have to say that the dancing scene at the end was a wee bit too silly for me though. I have a problem understanding how a movie like this can get such a relatively high rating at IMDb but okay it was fun to watch and it is not entirely undeserved. Personally I think a 7 out of 10 is more in the right region.

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**A long form review originally posted n 2014:**

Now that I’ve given _Guardians_ a BluRay watch through, I feel more comfortable reviewing it. I saw it on the first day of its Australian cinematic release, but I wasn’t sure what I thought. I watched it again and still wasn’t sure, but now that it’s six months later, I am sure.

I’m a massive fan of director James Gunn. Come to think of it, I’m also also a big fan of Lee Pace, Michael Rooker, Chris Pratt, Benicio Del Toro, Djimon Honsou, Bradley Cooper, Vin Diesel, Peter Serafinowicz, Alexis Denisof, Rob Zombie and Nathan Fillion, and they’re all in this. Not to mention I’m an absolute sucker for the MCU. So after hearing that a very decent chunk of the fanbase thinking that not only was this the best Marvel film of the year (going up against _Winter Soldier_ and _Days of Future Past_), but that they would then go on to say it was the best Marvel Cinematic Universe film ever, you could imagine I was very surprised to find that I actually didn’t think it was all that great.

I don’t want people thinking I didn’t like it. I did. In fact I will go on record saying that it was miles away from their worst film, and if I’m being honest they handled the last 25 minutes (arguably the most important part) of the film absolutely spectacularly. But I didn’t get the magic that everyone was telling me about. How this was the film for the new generation. I didn’t even get the sense of satisfaction that I had in Cap’s movie just a few months previous.

So many things seemed under utilised, but I don’t know what you could have cut to make room for the extra things I wanted. Which means the only way to get it is to have a longer film. It’s already two hours, and a longer movie means a bigger budget and less screenings. ie. more money going out and less money coming in. And at the end of the day Disney is a business, and they have to make their money the best way they think they can. So I understand why it wasn’t perfect for me, but that doesn’t stop me from feeling _Guardians_ is a mite overrated. Good damn movie. But overrated.

Personally I’d stick it somewhere in the middle of the MCU’s releases thus far. Leaps and bounds above _The Incredible Hulk_, _The Dark World_ and _Iron Man 2_, but not so beloved as the likes of _The Avengers_, _Winter Soldier_ or _Iron Man 1_.

73%

-_Gimly_
Guardians of the Galaxy is a gorgeous and wonderfully entertaining space opera. The characters are so damn lovable, the world building is incredible, the soundtrack gives the film an entirely unique feel, and the effects are astoundingly first rate.

The story follows the pattern of the space fantasies that influenced George Lucas, but the presentation is the work of the extraordinarily gifted filmmaker James Gunn. If we ever forget that the MCU was ever a thing (we won't but let's just be hypothetical), many generations will still be talking about this fantastic movie.

Tuesday, July 23, 2019

[Watch] Mortal Kombat Legends: Scorpion’s Revenge Movie LIVE Stream 2020


[Watch] Mortal Kombat Legends: Scorpion’s Revenge Movie LIVE Stream 2020









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[Watch] Mortal Kombat Legends: Scorpion’s Revenge Movie LIVE Stream 2020




Filmteam

Coordination art Department : Lashay Niamé

Stunt coordinator : Mothé Aileen

Script layout :Yusif Isidro

Pictures : Ezra Jorden
Co-Produzent : Rhea Samson

Executive producer : Corneau Darrion

Director of supervisory art : Saliah Badar

Produce : Aglae Tarde

Manufacturer : Vianney Kaytlin

Actress : Mattia Debera



After the vicious slaughter of his family by stone-cold mercenary Sub-Zero, Hanzo Hasashi is exiled to the torturous Netherrealm. There, in exchange for his servitude to the sinister Quan Chi, he’s given a chance to avenge his family – and is resurrected as Scorpion, a lost soul bent on revenge. Back on Earthrealm, Lord Raiden gathers a team of elite warriors – Shaolin monk Liu Kang, Special Forces officer Sonya Blade and action star Johnny Cage – an unlikely band of heroes with one chance to save humanity. To do this, they must defeat Shang Tsung’s horde of Outworld gladiators and reign over the Mortal Kombat tournament.

8.5
221






Movie Title

Mortal Kombat Legends: Scorpion’s Revenge

Clock

189 minutes

Release

2020-04-12

Kuality

DAT 720p
VHSRip

Categories

Fantasy, Action, Adventure, Animation

language

English

castname

Arnou
A.
Isla, Jassim L. Doyle, Shrina U. Cyril





[HD] [Watch] Mortal Kombat Legends: Scorpion’s Revenge Movie LIVE Stream 2020



Film kurz

Spent : $253,283,950

Revenue : $973,880,093

Categorie : von cops - Soundtrack , Logik - Du Son , Quinqui - Trennung , Toleranz - Terrorismus

Production Country : Bulgarien

Production : Mages.



[Watch] The Ash Lad: In Search of the Golden Castle Movie LIVE Stream 2019

[Watch] The Ash Lad: In Search of the Golden Castle Movie LIVE Stream 2019 The Ash Lad: In Search of the Golden Castle 2019-nazi-titans-hero...